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Hottest New Cameras
This page does not always get timely updated - so be sure to check out
DV.COM - there is a Camera Forum that you can join
that has the latest discussion on all video cameras and browsing it you can get
a good idea of what's hot and why..
December 2009 - It looks like the hot cameras of the next couple
of years are going to be the AVCHD cameras with High Density SD cards - like 32
gig cards that hold 3 hours of fairly good quality HD video.
The issue right now is editing AVCHD footage - and there are several
solutions. Panasonic has a program that converts AHCHD into
Some of the major programs like Vegas and CS4, and low ends, like Pinnacle
Studio, Correl Draw, also allow editing of AVCHD straightout- although
there is a hefty requiement for hardware to do multi layers/effects.
One thing you want to understand is what the various HD identifications
formats are.
HDV - tape format- limited to 1440x 080 (basically 720p),
firewire pipeline
HD - upper limit is 1920x1080, uses mpeg2 - .mov, jpg2000, HD-SDI
pipeline
AVCHD -
1920x1080 - known as mpeg4 or H.264, hdSD card peipeline
XDcamEx (Sony) - pro version,
1920x1080 or
1280x720 and color sampling of at least 4:2:2
DvcProHD (Panasonic) - pro version,
1920x1080 or
1280x720 and color sampling of at least 4:2:2
Interesting notes - HDV (1440x1080) format has same data rate as 720x480 DV (25
megabits per second), that's why you can use the same tape for either formats.
When captured from tape by a computer's capture program, it could be encoded as
a .mpeg file, a quicktime .Mov file, an .m2t, a m2v - I think that is
about it. These are called mpeg2 wrappers - and one program may not read
another program's wrapper. So once you get an mpeg2 file - you may
have to run it through a
AVCHD1920x1080 cameras (newest on the top)"
Some people are saying that the Canon AVCHD sis better than Panasonic.
Pansonic HMC 40 31 Mbps - The video codec itself, H264, is
more or less the same. It is the meta data and the way the audio and video are
wrapped into their mts containers that makes them not compatible with each
other.
HMC150, the HVX200a and the HPX170
http://www.dvxuser.com/articles/article.php/25
XDCAM-EX
- 1920 x 1080 full raster
- 4:2:0 color sampling
- long-Group of Pictures (GoP) encoding
- 8-bit quantization
- MPEG-2 encoding technology
- 35 megabits/sec average data rate
AVCCAM
- 1920 x 1080 full raster
- 4:2:0 color sampling
- long-Group of Pictures (GoP) encoding
- 8-bit quantization
- H.264 MPEG-4 Layer 10 encoding technology (recorded as AVCHD)
- 21 megabits/sec average data rate
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CCD/
CMOS |
codec |
data rate |
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color sample |
zoom |
xlr |
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3 |
AVCHD |
21 mb/s |
1980x1080 |
4:2:0 |
20x |
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Pana AG-HMC40 |
2000 |
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3CMOS |
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Pana GH1 |
1500 |
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| Pana AG HMC150 |
3500 |
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3CCD |
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| Sony HDR-FX7 |
2000 |
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| Sonu HVR A1U |
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1080i = 1920x1080
| HD Cameras by Recording Formats |
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- HD - High definition simply means
more than standard definition (SD).
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- Uncompressed HD
- High-definition video in an uncompressed format.
Without compression to reduce the video’s data rate,
uncompressed video requires relatively fast computer
processors, hard disks, and a specialized capture
device.
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3-CCD 1/5" |
JVC GZ-HD7 |
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AVCHD -
format developed by Sony and Panasonic uses
H.264
encoding to compress high-definition video at bit rates similar to HDV
with potentially higher quality. Some think AVCHD will eventually
replace HDV |
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3-CCD () 1/4" |
Panasonic HDC-DX1 |
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$899 |
CMOS - 1/2.9" ClearVid |
Sony HRR-SR7 |
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Records to 8cm DVD Disc and SD Memory Card |
Panasonic HDC-SX5 |
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Records to SD Memory Card |
Panasonic HDC-SD5 |
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HDV - HDV is an inexpensive
high-definition video recording format which uses
MPEG2
compression to fit high-definition content onto the same
DV or
MiniDV
tapes originally developed for standard definition recording. The
compression used results in some quality compromises compared to higher
bandwidth HD recording formats, but has still proved useful for many
purposes including several popular TV shows. (However, most TV shows
shot in HD are recorded using higher-end formats.) |
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3-CCD 1/3" 16x9 |
Sony HDR-FX1 |
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3-CCD 1/4" 16x9 |
Sony HDR-FX7 |
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3-CCD 1/3" 16x9 |
Sony HVR-A1U |
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3-CMOS 1/4"ClearVid |
Sony HVR-V1U |
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3-CCD 1/3" Super HAD |
Sony HVR-Z1U |
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3-CCD 1/3" 16x9 |
Sony HVR-Z1U |
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CMOS - 1/3" ClearVid |
Sony HDR-HC7 |
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CMOS - 1/2.7" TrueHD (1920x1080) |
Canon HV10 |
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CMOS - 1/2.7" TrueHD |
Canon HV20 |
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3-CCD - 1/3" 16x9 |
Canon XL-H1 |
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3-CCD - 1/3" 16x9 |
Canon XH-A1 |
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3-CCD - 1/4" 16x9 |
Canon XH-G1 |
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ProHD
extends HDV by adding native support for 720p24 (24
frames per second) recording. For productions attempting
a "film look" on video, or which will be output to
film or digital-cinema, 24p mode is advantage over
HDV's modes. Apart from the extensions for 720p24 mode,
ProHD uses the same compression and bitstream format as
HDV.
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DVCProHD - format developed by
Panasonic which records at bit rates up to four times that of HDV. This
allows the HVX200 to offer better color depth and avoid inter-frame
compression issues compared to HDV, but requires a significant
investment in recording media and a careful archiving plan for master
footage. DVCPRO HD supports a data rate of 100Mbit/s, from which it gets
its other name, DVCPRO100. |
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Panasonic AG-HVX200 |
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Panasonic AG-HPX500 |
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- HDCAM
- Sony’s high-definition version of its Digital
Betacam format. A variant called HDCAM SR
uses a tape with a higher particle density to record
video with greater color sampling and at higher bit
rates. However, HDCAM SR is supported by decks only, and
not camcorders.
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Sony PDW-F350 |
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- H.264
- Also known as MPEG‑4 part 10
and AVC (Advanced Video Coding),
H.264 can deliver video over a range of bitrates more
efficiently than previous standards. For example, H.264
can deliver the same quality as MPEG‑2 at half the data
rate. H.264 is built into the Apple QuickTime 7
multimedia architecture, and it’s supported by both
HD‑DVD and Blu‑ray Disc, two newer DVD formats.
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ZOOM |
XLR |
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| JVC |
GY-HD110U |
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3-CCD |
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60 gig HD, |
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GY-HD200U |
8000 |
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16x |
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720/60p, real 24p |
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GZ-HD7 |
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| Sony |
HDR-HC7 |
$1399 |
1 1/2.9 CMOS 300K Clear Vid |
10:1 |
no |
componet +USB + FUrewure + HDMI |
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HVR-V1U |
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HVR-Z1 |
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3-CCD (960x1080) |
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HDR-FX1 |
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60i,30p,24p |
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HDR-FX7 |
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HDR-SR7 |
1400 |
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10:1 |
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60 gig hard drive, 1080i captyre, USB2 & HDMI |
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HDR-CX7 |
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3.2MP ClearVid CMOS sensor |
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| Canon |
HV10 |
$1299 |
singleChipCMOS |
10:1 |
no |
exceptionally small, updated HC1 |
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XH A1 |
$4000 |
1/3" 3-CCD |
20x |
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XH G1 |
$6000 |
1/4" 3-CCD |
20x |
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XL H1 |
$8000 |
1/3" 3-CCD (1440x1080) |
20x |
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gives lens interchangabiliity |
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| Panasonic |
AG-HSC1U AVCHD |
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1080i, 40gig HD, 41min 16x9 1080i on 4gb SDHC mem card
or 410 SD on the HD |
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PV-GS320 or GS500 |
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3 CCD |
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not HD |
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AG-HVX200 |
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3-CCD (960x540) |
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